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Jan Van Eyck
1395-1441
Flemish
Jan Van Eyck Locations
Painter and illuminator, brother of Hubert van Eyck.
According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d Heere, Jan trained with his brother Hubert. Pietro Summonte assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of Master, working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege. Jan became the court official painter and was paid, with a second assistant when the work increased in 1423, continuously, probably until the count death in January 1425. Related Paintings of Jan Van Eyck :. | The Arnolfini Portrait | Madonna des Kanonikus Georg van der Paele, mit Hl. Domizian, dem Hl. Georg und dem Stifter Paele | Portrait of Giovanni Arnolfini | Portrait of Margarete van Eyck | Giovanni Arnolfini (mk45) | Related Artists: Henry Otto WixHenry Otto Wix (1866 - 1922), also known as Otto Wix, was a German-born landscape and portrait painter who emigrated to the United States in the late 1890s. He studied in New York, but visited Hawaii in 1907 and 1908-9. About 1910, he moved to San Francisco, but visited Hawaii again in 1912. He also made several sketching trips to Mexico. Wixes marriage ended in divorce, resulting in depression and alcoholism. He died by his own hand in Santa Barbara, California on March 13, 1922.
Wix is best known for his landscapes in watercolor. The Honolulu Academy of Arts and the Smithsonian American Art Museum are among the public collections holding paintings by Henry Otto Wix LA FOSSE, Charles deFrench Baroque Era Painter, 1636-1716
French painter and draughtsman. He was the most important decorative painter in France in the generation after Charles Le Brun and in this capacity contributed to many of the major official and private building projects from the 1670s to the 1710s, including the D?me des Invalides in Paris and the chapel at the ch?teau of Versailles. His colourist's temperament, his early study of the Venetian painters of the 16th century and his interest in the work of Peter Paul Rubens contributed to the triumph of the party that championed colour over line and put him in the vanguard of the new tendency in French painting in the later 17th century. His work, with its rich and changing colours, combines the strength of the 17th century Donatien NonotteFrance (1708 -1785 ) - Painter
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